- #PRO TOOLS AUTOTUNE HOW TO#
- #PRO TOOLS AUTOTUNE PRO#
- #PRO TOOLS AUTOTUNE SOFTWARE#
- #PRO TOOLS AUTOTUNE SERIES#
#PRO TOOLS AUTOTUNE PRO#
I performed more vocal tuning stunts after this, and even pushed Auto-Tune Pro hard a few times to see what would break, and I was happier with better, more usable, and natural results than in the past. I like this, as it reflects how I work and what I need.
#PRO TOOLS AUTOTUNE SOFTWARE#
As with any technology like this, it seems as the years go by the sound quality is better and the software reacts more intuitively for the user.
Compared to Evo, I felt that the immediate results were less artificial sounding, and more natural. In the middle of a session I first opened up Auto-Tune Pro in the default setting, set Flex-Tune and Humanize to 12 o'clock, and processed some flat vocal notes for a mix I was working on (that I hadn't tracked).
A new feature is this initial Basic View and a button that unlocks the Advanced View, with MIDI tools, scale editing, vibrato features, and a lot more controls. But I've never used Auto-Tune as a plug-in running on an entire vocal track, since I don't trust any tuning software to make the right choice every time, nor do I see a musical reason to blindly tune every note! So, for me to be the reviewer of the new Auto-Tune Pro might seem like a mistake, but I think that many engineers and musicians are working in a similar, simple way like mine, and that power users are a rarer breed than one may think.įirst impressions? The opening GUI of Auto Mode is a lot cleaner, simpler, and nicer than the cluttered and sterile-looking Evo version I'd purchased previously. But when I have used Auto-Tune in the past, it's been to simply process and fix single notes that were rubbing or sticking out of a mix in a bad way, and I've always double checked that there were no odd glitches or issues with crossfades (the dreaded "thump"). In the studio I'd rather ask for new passes of a vocal than to tune any, and luckily a lot of my sessions are ones I'm producing where I can work this way.
#PRO TOOLS AUTOTUNE HOW TO#
In fact, I only now learned how to use the Graph mode for this review (hey, it's cool), as previously I would open it up and sit there staring at the graph window utterly confused. I will admit that I am not a power user of any tuning software, and I use Auto-Tune so infrequently that I never have fully learned any of the ins and outs or details.
Since then Auto-Tune has become an industry standard - even non-studio geeks know its name - despite some healthy competition from Celemony's Melodyne, Waves' Tune, Serato's Pitch 'N Time, Synchro Arts' Revoice Pro, and others. It might not have worked well (dreadful performances), but it did get the tracks closer to the proper pitch. I remember renting the ATR-1 hardware version from a local studio back then and trying to tune some poorly pitched slide and violin by processing back to open tracks on 2-inch tape. It automatically transfers the information to the Auto-Tune Pro X plug-in for a faster and more straightforward vocal editing process.I didn't realize Auto-Tune was 20 years old this year, and I'm sort of in shock. The included Auto-Key plug-in detects the key and scale of your track. You can even apply different settings to different words in a song on an individual basis for super-granular control! Furthermore, thanks to the time correction features, you'll be able to correct timing imprecisions and improve your workflow immensely. The Graph Mode gives you complete control over the vocal track, with revolutionary pitch editing tools that can target individual notes and pitch curves.
#PRO TOOLS AUTOTUNE SERIES#
The Advanced Auto Mode unlocks a series of more sophisticated processing tools, like Scale Editing and Vibrato Control.
The Basic Auto Mode provides all the crucial features of Auto-Tune Pro X at a glance and lets you adjust the pitch easily and in real-time. The Auto Mode is available in two different modes: Basic and Advanced. On Auto-Tune Pro X, you can use either the Auto Mode or Graph Mode interface.
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